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naga, in Hinduism, Buddhism, and Jainism, a member of a class of mythical semidivine beings, 50 % human and fifty percent cobra. They are a powerful, handsome species who will presume both wholly human or wholly serpentine form and so are potentially unsafe but often useful to individuals.

O brahmins, the forests, rivers, lakes, and lotus ponds, the cooing in the cuckoo and other sweet birds, the satisfying skies, the unguents and the continuous notes and Appears of musical instruments such as the lute, flute and Mṛdaṅga drums, O brahmins—these along with other gorgeous items are enjoyed by advantage of their superior luck by Dānavas, Daityas and Nāgasoline residing in Pātāla. The Tāmasī sort of Viṣṇu, named Śeṣa is beneath the lower regions.

Though wars, nature, and also the passage of time destroyed many temples in the Funan era, nāgas can even now be viewed in historical temples courting for the Chenla and Angkor eras.

[forty one] ^ From the Mahavamsa as in fact in The traditional Sanskrit and Pali literature normally, the Nagas are by no means represented as human beings, but as a class of superhuman beings, who inhabited a subterranean environment.

s are represented in a totally zoomorphic type, as hooded cobras acquiring 1 to 7 or maybe more heads; as human beings using a quite a few-hooded snake canopy above their heads; or as 50 % human, With all the decreased part of the body underneath the navel coiled similar to a snake along with a canopy of hoods in excess of the heads.

[72] The movements in the bakunawa 23naga served like a geomantic calendar program for historic Filipinos and ended up Element of the shamanistic rituals of the babaylan. It is generally depicted with a characteristically looped tail and was variously believed to inhabit possibly The ocean, the sky, or perhaps the underworld.[73]

Daityas and Dānavas usually are not capable of recounting his superior attributes. He is honoured by Devas and celestial sages. He's spoken of as Ananta. He includes a thousand hoods and He's Plainly bedecked in Svastika ornaments devoid of impurities. He illuminates all quarters by 23naga thousand jewels on his hoods.

The Khmer persons regard themselves as descendants on the nagas and many even now believe the nāga exist nowadays, destined to one day return and restore prosperity to their people today.[citation necessary]

In the 1999 Telugu film Devi, a Nagini performed by Prema concerns Earth to shield a woman who saves her when she was during 23naga the snake type. She sooner or later falls in like having a human.

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^ Kathiragesu Indrapala writes that "Within the traditions preserved in the early 23naga Sri Lankan chronicles as well as during the early Tamil literary performs the Nagas surface as a distinct group".[40] He more writes that "the adoption in the Tamil language was helping the Nagas in the Tamil chiefdoms to become assimilated into the most important ethnic team there".

Nagas also show up inside the Fight for Wesnoth, and therefore are depicted as a far more snakelike counterpart into the merfolk, who in many cases 23naga are their enemies.

Phaya Nak or Phaya Nāga (Thai: พญานาค; RTGS: phaya nak; lit. 'lord of Nāga', phaya derived from Mon which necessarily mean significant nobility) or Nakkharat (Thai: นาคราช; lit. 'king of Nāga') in Thai beliefs, nagas are regarded the patrons of water. Nagas are considered to are in either water bodies or in caves. In keeping with a well-liked legend, the Mekong River in north-japanese Thailand and Laos was said being designed by two Nāga kings slithering with the area, Consequently generating the Mekong and also the close by Nan River.

An important poem from this period San Leupphasun (Lao: ສານລຶພສູນ) discusses relations amongst Laos and Thailand in a very veiled fashion, using the Nāga and also the Garuḍa to symbolize the Lao and also the Thai, respectively.[56] The Nāga is integrated extensively into Lao iconography, and characteristics prominently in Lao lifestyle through the duration of the country, not just in Vientiane.

Early depictions of circa-ninth-century Central Java intently resembled Indic nāga which was dependant on imagery of cobras. All through this era, nāga-serpents ended up depicted as big cobras supporting the waterspout of yoni-lingam.